Lydia Tr Is Not an Art Monster
“It’s always the question that involves the listener. It’s never the answer, right?” famed conductor Lydia Tár asks a student at Juilliard in Todd Field’s magisterial new film. By this standard, Tár itself succeeds: It is lush with questions poised between interpretations like a gymnast balanced on a beam. Critics and commentators disagree not only about its meaning but about the rudiments of its plot. Is Tár, played by a magnificently imperious Cate Blanchett, a sexual predator or a victim of “cancel culture”?
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